We, children, are born in Sin We are born in Sin. That is why we must let The Light, The light of God Into our hearts, Children We are all Children of God, But to the whole we are Sinners We are Sinners We must let the Light, let the Love of God The Eternal Love of God into our hearts Or we will Burn Burn in Hell Burn in Eternal Hell Praise the Laibach Top Songs > The Whistleblowers > See That My Grave Is Kept Clean > The Long and Winding Road > We Are Millions and Millions Are One > Geburt Einer Nation > Opus Dei > Under the Iron Sky > Renate's Surprise > The Great Seal > Cari Amici Soldati, Jaruzelsky, Drzava, Svoboda > Abuse and Confession > Ti, Ki Izzivas' > Declaration of Freedom About “The Sound of Music”. “The hills are alive, with the sound of music. With songs they have sung, for a thousand years”. The Sound of Music was conceived when Laibach were infamously Lyrics for 2525 by Laibach. In the year 2525 If man is still alive If woman can survive, they may find In the year 19 Laibach. 229,268 listeners. Laibach is an industrial project that started in Trbovlje, Slovenia, in 1980. Their name is taken from the German name for Slovenia’s capital Ljubljana, and this reference to World War II o… read more. Wat Lyrics by Laibach from the custom_album_6214977 album - including song video, artist biography, translations and more: We are no ordinary type of group We are no humble pop musicians We don''t seduce with melodies And we're not here to … Lyrics: Love takes me over Like a rising rocket Love takes me over Like a shining diamond Love takes me over With golden badges on the chest What I am you'll become I saw the light We're all so much alike Come to me - do not fight I lost control Over the big blue sky So what do you want? You shine so bright But it is dark in the heat of the night The Whistleblowers Lyrics: We rise, we grow / We walk and we stand tall / We never fall / As big as the sky / As far as the dawn / We walk / And we do not fall / We sleep, we dream with no time in Ohne dich (Remix By Laibach) Lyrics: Ich werde in die Tannen gehen / Dahin wo ich sie zuletzt gesehen / Doch der Abend wirft ein Tuch aufs Land / Und auf die Wege hinterm Waldesrand / Und der Wald We Are Millions And Millions Are One lyrics Love takes me over Like a rising rocket Love takes me over Like a shining diamondLove takes me over With golden badges on the chestWhat I am you'll becomeI saw the light We're all so much alikeCome to me - do not fightI lost control Over the big blue skySo what do you want? You shine so bright Bv0x1Q. eLyrics L Laibach Lyrics Total views: 1 time this week / Rating: [22 votes]Album: Nato / Original Release Date: 1994-10-10Genre: RockSong Duration: 3 min 49 sec 2525Laibach LAIBACH2525 Lyrics In the year 2525 If man is still alive If woman can survive, they may find In the year 1994 War goes on just like before War goes on, it never ends War brings bigger dividence In the year 1995 Brand new war is born to die From total damage to damage limitation Fear is the key to defend the nation In the year 1996 There is no need for politics Seeing life with unseeing eyes Seeing man see through the disguise In the year 1997 The boil bursts on the face of Heaven Dragon tears washed away thy youth Wash thy hands of eternal truth In the year 1998 Why shut the door of the Golden Gate Rivers of people flow like blood New race rises from the mud In the year 1999 War destroys the last sky-line A flaming cross appears in the sky Man goes down as the bullets fly Now it's been 2000 years Man has cried a million tears For what he never knew Now man's reign is through But through eternal night The twinkling of starlight So very far away Maybe it's only yesterday In the year 2525 If man is still alive If woman can survive We survive Hottest Lyrics with Videos 22bb689ff765c3398aa9f389b246da79check amazon for 2525 mp3 downloadthese lyrics are submitted by kaanbrowse other artists under L:L2L3L4L5L6L7L8Record Label(s): 1994 Mute Records LimitedOfficial lyrics by Rate 2525 by Laibach (current rating: Meaning to "2525" song lyrics Laibach is a Slovenian avant-garde music group strongly associated with industrial, martial, and neo-classical musical styles. Laibach formed June 1, 1980 in Trbovlje, Slovenia (then Yugoslavia). Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, is known for their cover versions, which are often used to subvert the original message or intention of the song — a notable example being their version of the song "Live is Life" by Opus, an Austrian arena rock band. In this example, Laibach recorded two new interpretations of the song, which they titled Leben Heißt Leben, and Opus Dei. The first of these two interpretations was the opening song on the Laibach album Opus Dei (1987), and was sung in German. Love takes me over Like a rising rocket Love takes me over Like a shining diamond Love takes me over With golden badges on the chest What I am you’ll become I saw the light We’re all so much alike Come to me, do not fight I lost control Over the big blue sky So what do you want? You shine so bright But it’s dark in the heat of the night So why do you want To share your star In the dark We’re rising higher Come, don’t look back now Let’s reach the stars Before the sunrise Love takes us over Across the point of no return We are millions And millions are like one Embrace the new day Reflecting in your eyes Laibach is an industrial group whose members prefer to be known as a collective rather than reveal individual names; they've been seen as fascists and of practicing Germanophilia because of their music's Wagnerian thunder and their military attire. According to Laibach, "We are fascists as much as Hitler was a painter." Since fascism needs a scapegoat to flourish, the members of Laibach mocked it by becoming their own scapegoat and willingly sought alienation. Showing a ridiculous lust for authority, Laibach's releases featured artwork influenced by anti-Nazi photomontage artist John Heartfield, and the group's live shows portray rock concerts as absurd political rallies. In interviews their answers are wry manifestos, and they never break /br /Formed the same year longtime Yugoslavian leader Marshall Josip Broz Tito died, Laibach started activity in 1980 in the industrial coal-mining town of Trbovlje in the center of what is now Slovenia. They took their name from the nearby city Ljubljana's title during Nazi occupation. Their first performance was canceled by authorities for their controversial use of symbols, and military service kept them away from performing until June of 1981. Laibach first played Ljubljana in January of 1982, and the Ljubljana-Zagreb-Beograd collection captures some the group's performances from this time from ca**ettes sold at shows. The Laibach/Last Few Days ca**ette from 1983 was the group's first proper release, and ca**ettes from labels like Staal Tapes and Skuk followed. Milan Fras joined as vocalist, and his distinctive growl and grim stare still makes him the group's most recognizable member. An appearance on Yugoslavian TV with shaved heads and military attire provoked the state to issue a ban on the name Laibach in Ljubljana that was not lifted until 1987. br /br /Around the time of the EP Panorama/Die Liebe's release, a concert was planned and posters put up overnight with only Laibach's trademark cross representing the group. Both concert and poster are captured on December 21, 1984. Laibach soon joined the likeminded artist collective Irwin and theater group Scipion Nasice Sisters to form the organization Neue Slowenische Kunst, or NSK. NSK became involved in the group's concerts and Irwin's artwork would often be displayed at venues. The group's debut studio album, which also featured the cross only, was released in 1985 but was reissued in 1999 as Laibach. Baptism, from 1986, includes the group's soundtrack to the NSK stage production Baptism Under Triglav. Laibach's music had remained a challenging combination of military marches and tape loops that only fans of Throbbing Gristle, Nurse With Wound, and the like paid much attention to, but things were about to /br /Wax Trax! in America and Mute in the gave 1987's Opus Dei Laibach's first widely available release. Included were bizarre thumping cover versions of Queen's "One Vision" and one-hit wonder Opus' "Life Is Life," and videos of both were shown on MTV. A worldwide tour followed, and Laibach was invited by John Peel to do a Peel Session and Michael Clark commissioned the group to provide music for his dance company. The idea of covering pop music in Wagnerian style was expanded on 1988's Sympathy for the Devil EP, which included multiple versions of the Rolling Stones' cla**ic, and Let It Be, which reproduced the whole of the Beatles' album, minus the title track. Let It Be included a version of "Across the Universe," sung by fellow NSK members Germania, whose ethereal female vocals would show up on many later releases. Another world tour followed, and a bootleg video of a Dallas, TX, concert showed up on the short-lived Videophile label. The group's success caused various early recordings to be reissued, and 1990 saw Laibach return to more orchestral work with its soundtrack to a NSK production of Macbeth. br /br /Laibach celebrated the fall of the Berlin Wall with the "Oktober/Geburt Einer Nation" single, containing more of a techno slant and a remix credited to the mysterious Kraftbach. Released in 1992, Kapital fully embraced minimal techno and focused on the growth of capitalism in Eastern Europe. A world tour (with each member's skin painted silver) and more reissues followed. A return to the bombastic cover versions was heard on the war-focused NATO as the former Yugoslavia fell apart. The techno was left up to the new side project 300,000 and its debut, Also Sprach Johann Paul II. The NATO world tour was documented on the limited-edition CD and video box set Occupied Europe NATO in 1996, the same year the band released the religious-themed and cover version-filled Jesus Christ Superstars. That album's live show toured the world on and off up until the release of 2003's WAT, a return to techno and the band's first pop album to contain primarily self-penned material in a while. ~ David Jeffries, All Music Guide